Japan Diary 17: From Rollercoasters to Shrines and Evening Light

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Monday, 12 October 2026 · The rest day continues

“Rest day” is clearly a flexible term. The morning had begun with laundry, a cough and Mount Fuji disappearing behind mist. Not much later, the amusement park outside our hotel was calling, and the quiet day turned into a small tour through several very different Japanese worlds.

Morning: Controlled Madness

At the entrance it was already obvious: Japan can be quiet and courteous, but it can also be colourful, fast and wonderfully free of vertigo. Between rides, larger-than-life figures and a roller-coaster poster, it felt as though someone had turned everyday life’s volume knob firmly to the right.

View into the amusement park in the morning.
The amusement park in the morning — a rest day with a higher pulse.
Kurt beside a large Japanese character figure.
Two gentlemen with very different hairstyles.
Illuminated character figure in the amusement park.
A character radiating quite enough energy without moving.
Japanese roller-coaster poster with a Mount Fuji motif.
The poster itself already felt like a test of courage.
Seventeen seconds of Japanese roller-coaster madness — filmed safely from the ground.

From Speed to Stillness

Later we went on a city tour and visited a shrine complex. After the morning’s technical spectacle, the change felt like a deep breath: a great torii, red gates, timber, forest and the calm order of a place that has nothing to prove.

Large torii at the entrance to a shrine complex.
A great torii — and everything beyond it immediately felt quieter.
Red torii in front of a shrine.
Red against green: Japan knows how to make a clear entrance.
Main hall of a shrine complex.
The main hall, quiet and composed.
Dragon figure at a purification fountain.
The dragon at the fountain — in charge of water and a strong first impression.
Visitor by tied paper fortunes at the shrine.
Paper fortunes, wishes and a moment to pause.
Stone steps leading to a shrine in the forest.
Steps through the forest — here, the path set the pace.
Traditional gate at a Japanese religious site.
A gate placed like a perfectly judged punctuation mark.
Sign for the Fuji Yoshida climbing trail.
A sign points to the Fuji Yoshida climbing trail. We read it; we did not immediately climb the mountain.
Torii among tall trees.
A torii in the forest — simple, strong and almost silent.

Evening Light Instead of Morning Mist

More moments from the shrine visit and our walk

Together beneath the shrine’s torii gate.
Together beneath the shrine’s torii gate.
Anneliese on a walk through the woods.
Anneliese on a walk through the woods.
Kurt and Anneliese along the woodland path.
Kurt and Anneliese along the woodland path.
Kurt with a walking stick in the woods.
Kurt with a walking stick in the woods.
A shared moment in the evening light.
A shared moment in the evening light.

Moving memories from the Fuji region

An additional travel recap: motorcycle riding, places visited and waterside scenery. These are previously recorded travel moments, not a report from the 300-kilometre stage planned for 13 October.

By sunset, the landscape opened wide. Tall grass, low light and a sky that said goodbye to the day without making a speech. Fuji stayed discreet in these photographs; the horizon took the leading role instead.

Kurt standing in tall grass in the evening light.
Me in the evening light — considerably calmer than the roller coaster.
Sunset over a wide highland landscape.
A wide horizon at the end of our outing.

Back among the narrow evening lanes, things felt urban again. Neon, tiny establishments and Anneliese in the middle of the scene: not a grand finale, more like a gentle closing sequence. For a rest day, there had been a surprising amount of movement.

Narrow lane in the evening.
The evening lane — small, close and full of points of light.
Illuminated sign in a Japanese evening lane.
A sign along the way. Photographed, not presented as a place we visited.
Anneliese in a narrow evening lane.
Anneliese in the evening light between the small establishments.

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