Japan Diary 19: Nearly 300 Kilometres – and Fuji Always in Sight

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13 October 2026 · nearly 300 kilometres by motorcycle around Mount Fuji

Today, Mount Fuji directed the show. Nearly 300 kilometres by motorcycle, a deep-blue sky, panoramic roads — and that almost outrageously perfect cone kept reappearing. Sometimes large and close, sometimes like a quiet signature on the horizon.

Kurt and Anneliese with Mount Fuji beyond a tea plantation.
The two of us, rows of tea — and Fuji, which refuses to play a supporting role in any photograph.

A road with a view

It was a long ride, but never a monotonous one. The road wound through green country, opened one view after another and let Fuji step back into sight again and again. That is how nearly 300 kilometres stop being a number on the clock and become a sequence of images in the mind.

Motorcycles on a panoramic road from the new day sequence; I am deliberately leaving the exact stretch unnamed.
A brief view across the green landscape along the way.

Tea, a witch’s hat and a door to elsewhere

High on a plateau was a tea plantation with a clear view of Fuji. Then the viewpoint became a small stage: rows of tea, a broom, a pointed hat and a freestanding door. To us it felt like a passage into another world — not an official interpretation, simply our own delightfully playful thought.

Tea plantation with a witch's hat and Mount Fuji in the background.
The tea plantation, Fuji — and a pointed hat unwilling to accept a supporting role.
Anneliese with a witch's hat and broom beside a freestanding door in the tea plantation.
A freestanding door, a broom and enough imagination for a journey into another world.
Information sign at the tea plantation in front of green tea rows.
Green rows reaching towards the horizon — the viewpoint above the plantation.
Playful photo display at the tea-plantation viewpoint.
Anyone riding nearly 300 kilometres is allowed a little splendid silliness along the way.

What else the camera brought back

The new sequence then changes tone again: shrine architecture, a quiet path and a small technical stop. I will not invent the shrine’s exact name; the forms, colours and light need no additional calling card.

Entrance to a shrine with traditional Japanese architecture.
Traditional architecture at the shrine; the exact name remains open.
Circular detail and decoration at a Japanese shrine.
A detail that automatically slows your steps.
Hall of a Japanese shrine.
Wood, symmetry and the shrine’s quiet precision.
Kurt in a travel photograph in Japan.
Me on the road — still looking curious after all those kilometres.
Anneliese at a machine during the journey.
A small technical stop at the edge of the day.
Sunlight on a path through green countryside.
Light on the path — one of those quiet moments between the kilometres.
A brief walk through the shrine grounds; place and name are deliberately left unspecified.

At the end we arrived at the hotel. Nearly 300 kilometres lay behind us, Fuji had kept returning to our view — and a door in the middle of a tea plantation had quietly proved that even a long motorcycle day has room for nonsense, symbolism and a little witchcraft.

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